Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Thursday, April 19, 2012

Easter Life

Though the holiday itself has passed my mind has been filled this week with Easter. We're in a season of newness (at least we're supposed to be--it is spring after all!); this has really struck home for Sarah and I as we entered into this week: a new job, a new office, a new world of thoughts and questions and possibility. I'm typing this out to you from the Pastor's Office, wondering at how I came to be sitting here: thankful for the opportunity and gift it is, and also, to be honest, somewhat anxious at all the responsibility and expectation that comes along for the ride.  Transitions are like that: even the good ones, the best sought ones, bring both excitement and nervousness, joy and apprehension.  Such is change.  Such is newness.


And such is Easter.


I've been preparing my first real message as a pastor for Sunday morning: focusing again on the significance of Easter Life, and integrating some of my hopes and dreams for us as a Church.  John 20 is also about transition, and it brings these two places of startling contrast together: the fear and despair of Mary and disciples is embraced and dissolved in the encounter with the Risen Lord.  They had believed this was transition without tomorrow: hope lost, death victorious.  Yet not so.  The Saturday Dark gives way to Sunday Glory.  Newness, life, renewal spring forth--spring forth with and in and through Jesus and his Resurrection.  


This changes how we approach life, rewrites the rules on how we interpret pain and suffering.  Christ invites us live as whole, renewed, redeemed people.  His people.  We don't always.  We still suffer and sway between fear and joy--but we're not without hope.  Easter Life means finding that hope in the midst of grief; life in the midst of death: knowing Christ and the power of his Resurrection (Phil 3:10).


This song has captured this for me today as I write and pray for you.
Be blessed, my friends.


Nikolas




Monday, March 12, 2012

artist spotlight: boyce avenue

Song covers often seem to go two ways: really good, or really bad.  With the advent of youtube, one can find almost endless covers of popular songs.  A lot of them really aren't that good.  (Drum covers especially suffer from this!)

Once in awhile though, you find an artist whose actually doing it really well.  I had first heard Boyce Avenue’s cover of Coldplay’s “Fix You” some months ago, but rediscovered it Saturday morning as we were getting ready to head to Winnipeg for Josh’s baptism.  He also does an Adele cover—which is something many seem to be doing lately with her skyrocketed popularity (American Idol being a good example of how to not sing Adele songs).  For me it’s the acoustic simplicity that I appreciate in the "Fix You" cover especially.

Happy listening.  More to come.

Coldplay - Fix You:

Adele - Set Fire to the Rain:

Friday, March 09, 2012

what I learned from Johnny Reid

I’ve found that if I ever need to be prompted to write or respond or reflect on some topic or issue I really only need to turn on the radio for an hour or so.  Perhaps somewhat old-hat—yet I found myself tuning in quite often last summer as I’d walk our greenhouses to check on the crops.  A bit of music can help the day go by.

This isn’t a song, but an interview I heard yesterday on “Q” on CBC Radio.  I do like this show; I find the host, Jian Ghomeshi, very easy to listen to and the range of personalities and ideas from authors, actors, musicians, philosophers and more make for an interesting variety.  Yesterday however, I was really encouraged by this simple, heart-felt interview with Canadian “country/soul crooner” Johnny Reid.

I was particularly struck by how Reid talks about the impact his wife and children have on how he goes about living day to day.  As Jian says in the interview, Reid brings this “perspective”, this “outlook”: and I think in the context of this blog, can help us to ponder the intersection of faith and life quite well.

I hope you enjoy this interview as much as I did.  Have a great weekend!

Johnny Reid on Q with Jian Ghomeshi:

Friday, March 02, 2012

Have you heard Brushes, yet?

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Well you should!  If you haven’t noticed I’m a bit of a crazy person for pretty much anything my friend, Koko, does when it comes to music.  He’s just released another EP, adding brand new songs and redoing some from his previous Rough Cuts EP.

The new style really demonstrates Koko’s continual growth and detail as an artist.  If you have a chance, check out his new music under the moniker, Brushes.  Oh, and did I mention you can download five songs for absolutely nothing.  Yep, they’re free.


Click to listen; follow the link for more!


Thursday, December 29, 2011

Christmastime in the city

Christmas has come and gone once again, though as we plan a trip to Winnipeg this weekend to see Sarah’s family it feels as though we’re heading into an extended edition of the holidays.  Sarah has had to return to work for a couple of days this week, but with Tyler, Nicole and Olivia still down it still feels like we’re on Christmas vacation.

This year was a bit of a return to tradition for the Cain side of the family.  Christmas Eve at Auntie Laurel and Uncle Don’s and Christmas Day at Mom and Dad’s.  Good times and good food!  Nicole, Tyler and Olivia arrived soon after and we had a larger family gathering complete with Uncle Don songs, more gift-giving, more food and even dancing!  Yep, that’s right.

Two and a half years since its completion, I was finally able to print off a finished copy of my undergrad thesis for Mom and Dad.  I thought it’d make a good surprise gift at the end of the morning.  Though the manuscript was officially ‘done’, I’d gone through it again last October and then again in January when I experienced I really frustrating set-back.  I’d accidently created two different copies without realizing it, and had on some days been editing one version and on another day editing the second.  Sometimes in March, I think it was, I bit the bullet and read through both copies again to try and decide which sections of which version was the final.  Thankfully, I had noticed my mistake early enough and I ended up merging the two without much difficulty.  Still, you can imagine the headache.

Afterwards I was able to finally pull in my title page and table of contents and save the whole thing as a .pdf.  It’s such a good feeling to get it totally done and have a copy printed off.  I wanted mom and Dad to have the first one (I have an older one that I printed when still at the college), as they played such a huge part in me even being able to go to school.

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If you’ve been following my blog you’ve probably heard me mention my favourite authors from time to time.  When it comes to the Christian life, Eugene Peterson is my favourite.  He’s down-to-earth and grandfatherly, and his writing is rich, meaningful, and pastoral and imaginative.  For Eugene, it’s all about how everything is liveable, nothing in our Christian faith is meant to be abstract, general, propositional or removed from day to day life.  It’s all personal.  All relational.  All participatory.  Last Christmas I received Practice Resurrection, which I’ve blogged about before. This year I was blessed with three more books of his five-piece series on spiritual theology. Each book is a “conversation” on a different topic related to living.  So now I’m reading Eat this Book, a conversation about spiritual reading.  I think I’ll be able to use it with my Sunday school lessons in January.

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It was great to see Olivia again, and to visit with Tyler and Nicole—who we introduced to the thrilling epic farming board game, Agricola.  As we purchased sheep, built clay huts and harvested our grain, Olivia would lean over to me, her Dad’s iPhone in hand with her favourite kids game, and show me how to colour Christmas trees and listen to Tinkerbell stories.  She was pretty interested in all the little wooden pieces for the game, so we let her set up a farm of her own—though all she really wanted to do was collect more wood and assign everyone coloured bowls: “Blue for Dad and orange for Nikolas and green for Sarah and yellow for Mom!” 

We’ve made New Year’s Eve plans with the three of them once we’re all back in Winnipeg—and hopefully we’ll be able to see Mike and Steph, too!

Until next time, happy reading, and hoping you’ve all had a very Merry Christmas!

Thursday, September 22, 2011

visual poems

When Sarah and I were at Regent this summer we had the opportunity to eat lunch with some students taking full-time studies.  Among the students we met was a man named Theran, currently working on his MCS.  As I was perusing Regent’s YouTube channel ‘underthegreenroof’, I found this video, a student video project for a class on John.  As it turns out, it was one of Theran’s class projects—a visual poem, a marriage of literary and visual media evoking metaphor.  I touched base with him and said that I wanted to share his poem on my blog.  He agreed.  So here it is, and I hope you enjoy it:

Hands from Theran Knighton-Fitt on Vimeo.


Here was his description of the project:

This was the creative project for a class on the book of John in the New Testament "John: the Life of God to the World" In the Summer Term of 2011 at Regent College in Vancouver Canada. The class was taught by Rikk E. Watts. Of the various project options I chose the one that included an academic paper and a creative project.

For my paper I looked at the idea of how water is used in John as a polyvalent symbol and how it interacts with other symbols - specifically wine and blood.

Here is the first paragraph of the paper

“In this paper I will show that John’s unique use of polyvalent symbolism effectively communicates Christ’s mysterious, all-encompassing invitation to partake of his life. I will argue that Johannine symbolism invites us into a higher story, a mystery that normal words cannot express. I will show specifically that the nature of John’s symbolic use of water shifts throughout his gospel in such a way that it becomes more inclusive and invitational as it progresses. I will also outline how the all-encompassing invitation in his water symbolism plays itself out: as its meaning shifts, as it interacts with other symbols, as it speaks to Jewish tradition, and, ultimately what the invitation means for us as we are included into the life of Christ. In Christ all things hold together and in John’s water motif we see God bringing together many things in Christ.”

As you can imagine not everything was able to be included into this visual poem that tries to express these themes. Also, being art, it takes on its own identity too and as such it is not just the video demonstration of the academic paper. However the themes all intersect and my choice to do a creative project instead of a longer paper was specifically related to the idea that I believe John's use of symbolism and imagery more effectively communicates truth than mere academic argument. So to do justice to John, one needs to think and communicate creatively…

This is one of the reasons why I find Regent’s programs so intriguing—they allow for creative projects such as these to work alongside paper-writing to create moments of reflection on faith and life. 

Be well, my friends.

Nik

Click the banner below to head over to watch Theran’s other visual poem:
“And the Whole Realm of Nature’s Mine”.

Theran Knighton-Fitt: Visual Poems

Monday, September 19, 2011

mylo xyloto

Coldplay recently posted full-length versions of new songs from their upcoming album, Mylo Xyloto.  If you’re a fan, here’s a playlist of “Paradise”, “Moving to Mars”, “Major Minus”, and “Every Teardrop is a Waterfall” to whet the appetite:

The next song will start playing automatically – enjoy!

What do you think of the new sound so far?  Leave a comment below!

Thursday, September 01, 2011

september: songs and storms!

 

Trees are yellowing—it’s sad to say it, but it’s true.  This morning there was such a wind that I think half of them blew off the trees across our yard!  I was on the way to work, just coming down the drive to the nursery, and a big spruce broke off about half-way up the trunk and came crashing down a few yards away.  There was some storm a-brewin’!

Started doing drum lessons again after a month or so hiatus.  Good to spend the time with Kyle and looking forward to more afternoons like this one.

Sarah’s not feeling the best—sinus-related cold symptoms.  We’re doing what we can to combat it, but I just wish it’d go away.  I don’t like waking up the next morning and hearing how she had a rough night just trying to breathe.  I think we’re both looking forward to the weekend: looking to go to Winnipeg to spend it with the familia. 

Wanted to share this song.  Beth showed it to Sarah after we sent her the infamous music video of the 1990’s Billy Dean country “hit”, “Only Here for a Little While”… which is actually a very nice songif you aren’t too distracted by the sweater and mullet!

Anyway, here’s a new one that I think would be very fun to learn/play the next time we have a gig (which, funnily enough, is next month for the Second Chance Pet Network….thing.) 

You’ll have to click “Watch in YouTube” to listen to it…

 

Be well this weekend.

PS:  Sarah just asked me to play this one as we’re heading to bed.  Very nice.

Wednesday, August 31, 2011

artist spotlight: don adams + shine

Yesterday my good Uncle Don gave me a hand moving in our new couch.  I’ll be honest…it was a heavier ordeal than I had expected!  Yet we got it done, and I’m so grateful to Don for helping me haul the old hide-a-bed out and get the new one in here: it looks great!

So this one is for Uncle Don!


Most of my favourite childhood memories are with my family.  Candlelit Christmas nights after turkey supper, Easter egg hunts in the backyard, day trips to Blue Lake with all the cousins—the good times that I’m already looking back on and fondly reminisce.  I wrote earlier about how certain songs bring me back to specific memories.  When it comes to our family gatherings, there are songs and memories all rolled into one: and it came in the form of my Uncle Don.

I can still see it now: we’re having a birthday party at Auntie’s for one of us cousins.  Presents have been torn into, cake has been devoured, the adults have moved to the couch and recliner in the living room, and a few of them (usually my Dad) has found himself a comfortable spot on floor and is slowing drifting to off.

“What about a song, Don?” Someone asks.

With a small smile my Uncle Don leaves the room and returns with an acoustic guitar.  He finds himself a sturdy seat, tunes the strings a little, sometimes mentioning a new song that he wrote just that week.  The room grows quiet as we wait together before the silence gives way to music and Uncle Don begins to sing.

Don Adams at Blue LakeSince those early days, Uncle Don has gone on to pursue his love of singing and song writing more professionally through his own studio recordings and various gigs throughout North Western Ontario.  His songs are much like those we heard on many a childhood evening: they’re about life—sometimes humorous, sometimes sad, always down to earth.  His latest studio release, Shine, reverberates with those same themes that I’ve so come to love and appreciate.

Follow the jump to hear samples and/or order Shine, Don Adams’ fifth studio release, at http://www.donadams.ca/book.htm.


Sunday, August 21, 2011

new old hymns

   Received an unexpected gift today at work.  Rendy pulled out an album of Fernando Ortega’s music and said we could have it or pass it on to someone who might be interested in it.  I thought the name sounded familiar but couldn’t place it.  So I surfed over to his website and stumbled upon his blog.  He was reflecting on song-writing, and also on the lack of thoughtful literary artistry that seems commonplace in congregational worship music. 

   His conclusion was what really stood out to me:

I didn’t set out to write a didactic blog. I’m writing to myself. Be specific when you write songs about God. Avoid clichĂ©. Avoid convenience. Avoid an obsession with the consumer. Avoid the temptation to make commercial success your central goal. Write with intelligence, employing all the craft, skill, and experience with which God has endowed you. (Fernando Ortega, “Come Down, O Divine Love”, http://www.fernandoortega.com/fernandoortega/blog/blog)

   His advice could be for any artist, not just the hymn writer.  There is a common attitude today (or perhaps it has been with us for centuries) that we create for a consumer.  What will people like?  What will sell?  Those are legitimate questions, but I don’t think they should be the bottom line.  If we begin to think of money or success as an end in and of itself (an attractive one, to be sure), then I wonder if we miss the bigger picture?  To tend towards the clichĂ©, the consumer, the commercial success at the expense of intelligence, skill, craft, mind and imagination is indeed a grievous thing.  How much more so when the Art is intended as worship?

   I was also reminded of my friend, Koko, whom I wrote about earlier.  Koko is now an urban missionary in Victoria, where one of his projects is writing hymns to go along with liturgy at his Anglican church, The Table.  I think Koko embodies the attitude that Ortega is getting at in his blog.  I wonder what the world would be like if more people avoided writing the clichĂ© for commercial success and focused instead on bringing all of themselves into their art, seeking to point others toward beauty and truth.  I wonder if we’d be able to feel the difference in the music they’d create?  I think so.  I think it’d be really cool.

Saturday, August 13, 2011

a late summer song

Sarah brought me over to the computer yesterday to show me this song by Josh Garrels from his album Love & War & The Sea In Between. We both loved it, so I thought I'd share it with anyone out there who takes the time to read this blog (thank you!). Like my other song posts this one will now relate to a time of year, I think. So I've dubbed it the late summer song. Do enjoy!

Be well this weekend.

Sunday, June 05, 2011

june tune

Sarah found this the other day.  You see this song getting covered from time to time, but this version changes some chords and gives it a really different feel. 

Better than Elton John’s? Leave your take in a comment below!

Wednesday, April 20, 2011

bring on the wonder

I’ve been playing this song on repeat in the car for the last few days.  The song is about longing for the return of the beautiful and mysterious.  It explores how certain moments--going to the hills to watch the stars, feeling beach sand sink between our toes--have a way of reminding us of something that we've forgotten.  Ordinary moments pointing us to the extraordinary; orienting us to that which we so often slip by us without our knowing.

I like its Celtic sort of eeriness. 


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This is the original version is by Susan Enan. It’s more acoustic and has drums, though it’s not quite as evocative as the first.

Enjoy!

Nik

Sunday, April 17, 2011

24 finds me

This year marks the first birthday I’ve been home for in Dryden since 2004.  Sarah and I went out to the East Indian and Greek restaurant for supper and then headed over to Mom and Dad’s for cake in the evening.  Mom outdid herself with a homemade black forest cake—the best I’ve ever tasted!  It was a great day.

I think I was maybe fifteen or sixteen when I first heard Switchfoot’s The Beautiful Letdown.  My friend Matt shared the rock album with us on our way out to Eston for a Sr. High Encounter Weekend. 

Switchfoot– “24”
At the end of that album is a little song called “24”.  At the time, I didn’t care too much for it.  Yet it has become one of those songs that has slowly grown on me over time.

When Sarah turned 24 in November she made a point of sitting down to listen to it again.  So last week I did the same.  The words now ring with a deeper resonance than that which I knew only as a teenager.  The lyrics kept rolling around in my mind in the days rolling up to the 6th.  So where has 24 found me? 

Strangely contended, perhaps.  Mostly at peace, I think.  And hopeful.  It’s been almost a year since we moved back to Dryden, and that was a pretty tumultuous time for us: really trying to find where God wanted us—what made sense for us after our season in Eston was over.  Even once we made that choice to come back there was still the question of where we would work, and what life would look like now.

The number one thing that I have learned, and am still learning, is that the Lord is faithful.  He is trustworthy.  Even when it feels so difficult.  I’m still learning to listen, to remember actually how he continues to provide.  But he often returning me to the truth that He will provide, that he knows, that things are okay.

I’m glad to find myself here.

Thursday, March 10, 2011

sharin’ some music

So, Sarah’s been reading the Inkheart series and she’s almost finished the last book and she’s very excited about it!  I started the first one and have hardly scratched the surface… *sigh*…. so much reading to do!  

And apparently so much listening to do too.  Here’s some more favourite songs I thought I’d share as we inch closer to springtime (it was +10 out today!) 


Lately Sarah and I have been really enjoying listening to Paul McDonald’s rendition of “Maggie May’ which he sang on American Idol last week.  He’s definitely one of the happiest singers on the show:

Skip to 0:35 to jump right to the song

Ray Lamontagne is one of Sarah’s favourites.  This song comes on the radio nearly everyday on Sirius XM 51, the Coffeehouse, when I’m on my way to or from the tree nursery.  Just found this video on youtube today:

A refreshing sound from so much of the garbage pop music out there, hey?

Friday, February 11, 2011

lessons from the orchestral hall

My first time at a symphony was to hear the music of The Lord of the Rings films by Howard Shore.  Needless to say, it was a truly epic experience.  I had never been to anything of that sort before: the size of the concert hall, the enormity of the orchestra and choirs, that caliber of raw talent and professionalism and passion for music, all the guests dressed in their best (and not a few dressed as Hobbits and Black Riders!)  made for a truly memorable experience.

So when we saw that the Thunder Bay Symphony Orchestra was coming to Dryden we jumped at the opportunity.  Knowingly it would not be the same experience as the LOTR, but we were excited to hear the music and for the opportunity to see some quality entertainment of that variety in our town.  We made it an early Valentine's Day date.

As we entered the auditorium and began making our way to our seats the musicians had already taken the stage.  One could hear short snippets of sound, quiet tuning, the testing of bow on string.  A gentle air of anticipation was about them.  And it was contagious.  After a brief introduction the lights were dimmed and a hush fell upon us.  An air of ceremony.  The concertmaster, Thomas Cosbey, emerged, violin in hand, and took his place at the head of orchestra.  With a simple gesture of his hand he signaled the cue to tune.  There came a rush of slowly building sound. It felt surreal and strange: that those sounds were actually coming from those instruments.  We're so used to hearing music that is removed from actual musicians, especially orchestral music which is so often now only in our lives as the background ambiance in our films.

After the tuning the concertmaster takes his seat as first chair and the hush descends again.  Then the Maestro enters.  We applaud and the orchestra stands to honour him.  He moves to the stand and shakes hands with the concertmaster.  He greets the audience with a smile and a bow.  Then he turns and faces the orchestra.

And the music begins.

Wednesday, February 09, 2011

songs of 2010

Do you ever find that you might  listen to an certain album or artist regularly (almost daily!) for a certain period of time?  That's how it is for me.  Slowly that music starts to fit that time: I'll listen to the song later and I'm sometimes reminded of where I was for those months and what I was doing, etc.  Last year was a year of transition: we were living in Saskatchewan until the end of April before moving to Ontario in early May.  Summertime brought travelling, autumn was a time of grieving deaths in our family, I was off work for October and back again in November until Christmas.  Different times of life, different songs that spoke to those times.

Here's my favorites from over the past year (not all are new).  Some of them were full albums, some were just one song here or there.  Enjoy!

(Right click link and choose Open in New Tab if you want to play the song and keep surfing the blog).
Late Winter/Springtime:
Summertime:
  • Jack Johnson, Ocean, "You and Your Heart" - Acoustic/Reggae
  • 30 Seconds to Mars, "Kings and Queens" - Alternative/Rock/Pop
  • Eminem, "Not Afraid [Clean Version]" - Hip Hop/Rap | This song surprised me when I first heard it.  It depicts his road to recovery and his change of mindset after having gone through rehab.  Admittedly, it's not perfect, but there aren't a lot of songs in this genre that relay something hopeful, let alone handling family responsibilities.
  • Gavin DeGraw, "In Love With a Girl"- Rock/Country
  • Brett Dennen, "Ain't No Reason" - Folkrock/Indie/Pop
Autumn:
Winter:

What about you?  Do you have certain songs that remind you of certain times or seasons?

Be well,
Nikolas